Saturday, April 10, 2010

Vanishing Point

Vanishing Point, with its naked women and racial violence, is indeed an exploitation movie. It pushes some of the moral boundaries that other movies weren't willing to cross. Kowalski was a desirable character for the time, doing his own thing, not getting slowed down by "The Man". We learn about his past and his misfortunes and try to look into his character but it still remains difficult to understand him. In the end, he kills himself in a blockade set up by police leaving us asking, why?

The character Super Soul tends to act as a guardian angel to Kowalski throughout the movie. However, once the radio station is attacked, he lies to Kowalski about the police. From this point onward, we notice that the man Super Soul has listening to the police radio and giving information goes from being black to white. This almost represents that Super Soul sold out and is now controlled by "The Man". The guardian angel who was helping to lead Kowalski to freedom is now no longer free himself.

We spoke about Kowalski as being an anti-hero, my view of him came out slightly different. Though he's speeding and evading cops throughout the entire movie, I never saw him as an actual bad person. All I noticed were the old stories of him being a hero and how he was still kind to strangers on the road. He seems more like a misunderstood hero lost from society rather than your traditional anti-hero. I think in that way, it made it so he is more likeable by the viewer.

Though Kowalski's death at the end almost seems pointless, it does represent a possible deeper meaning for Kowalski. All his life, he's been losing things against his will. Driving his car into the bulldozers was his last act of freedom, rather than allowing himself to be caught, meaning he ended everything on his own terms. However, though his death is violent, they did not make it out to be gruesome. All there is to be seen is the exploding car. In the end, we do not see a body, nor blood, just a smile.

3 comments:

  1. I am interested in your depiction of Super Soul. I wonder why he even became so interested in Kowalski...why did he want to "help" him?

    I agree, Kowalski doesn't do anything that makes him a stereotypical bad person. At the same time he doesn't really do anything that is heroic. Yeah he drives his car fast disregarding the police but the only reason he is driving in the first place is to deliver a car for his boss, so in that sense he isn’t really living free by defying authority.

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  2. I really liked what you said about Super Soul being (in a way) Kowalski's guardian angel. I also wondered why Super Soul took such an interest to Kowalski in the first place? I guess my answer would be because he viewed Kowalski as some hero breaking through the boundaries set up by "The Man." Kowalski was defying the police force in every state while on his course to delivering the car. Super Soul defined Kowalski has a hero breaking through the laws of "The Man" on his journey towards freedom. Due to the racial tensions of this time, Super Soul connected to the one man that was defying his oppressor, the police.

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  3. SuperSoul's sort of an enigma, isn't he? And he also seemed to have sold out even before he was beaten up--which the movie never really explored. What makes you think that Kowalski is resisting "The Man" though? Does he give any indication that he's actually rebelling against anything?

    Also, keep in mind that an antihero generally is a good guy--or at least a guy who follows a moral code. The difference between a hero an an antihero is that one works for society, the other against it.

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